She decides to let Ha Sun pay tribute to Minister Lee, so he allows Minister Shin and Prince Jin-pyung to leave the palace. In addition, he’ll kill Minister Shin and Prince Jin-pyung for what happened at the assembly. He says that if she refuses, he’ll hang Minister Lee’s body at the gates for the people to see, and then they’ll know that she caused this rebellion without justification. Ha Sun sends a letter to the queen dowager asking her to halt her men for one day so he can pay proper respects to Minister Lee. He begs Ha Sun to let him send Minister Lee to his people, but Moo-young warns Ha Sun that opening the gates right now is too dangerous with the rebels right outside. Minister Lee’s body is taken into the palace, where Ho-geol sobs over him. Minister Shin takes advantage of the confusion to try to sneak Prince Jin-pyung out of the palace, but they’re stopped at the gates. He reaches up a hand for Ha Sun to grasp, then he dies, leaving Ha Sun wracked with grief. Ha Sun doesn’t want to disrespect his loyal friend that way, and Minister Lee says it makes him feel joyful to hear Ha Sun call him that. He gasps for Ha Sun to hang his body above the castle gates after he dies, to show that the criminal was brought to justice. He asks why Minister Lee did such a reckless thing, and Minister Lee apologizes for not keeping his promise never to leave him. Guards run to close the palace gates and protect the queen, but Ha Sun only has eyes for the dying Minister Lee. He falls to the ground, and although Moo-young tries to hold Ha Sun back, he breaks away and runs to cradle Minister Lee’s head in his arms. Ha Sun watches, horrified, as Minister Lee grabs a sword from a guard and runs Prince Jin-pyung through, taking several sword wounds in the back himself. But he’s not finished surprising us yet, as he contemplates a decision that could change the future of the entire nation. It’s time for our clown to sink or swim on his own, and one wrong move could mean his death and the death of everyone he cares about.
A scene from Pulp Fiction flickers on screen. Butch and Fabienne are sitting on top of a Harley Davidson.114 MaAugThe Crowned Clown: Episode 16 (Final) by LollyPip Ribbons of static shimmer across the blackness.
To challenge themselves and their listeners to”. They want to capture the ecstasy and comradery of house, the heart pummelling thrill of Drum and Bass, the beauty of ambient music, and the heaviness of electro - all in one sound. They want to make people move to their sounds and not just bob their heads, but to grind, heave, shiver, stomp, and dance to their music. Hooks and DC are about to have an epiphany that will change everything. MP releases an LP of hip hop instrumentals called Fresh Beats. It’s a pivotal moment for the duo." They get on a level where their combined sound is unified and strong. Critiquing, dissecting and swapping samples. They work out of DC’s often smoky garage. They join forces and call themselves Mass Productions aka MP Records. TeenagersZack Rapp-Rovan and Dylan Mamid are introduced - they hit it off immediately over a shared love of classic hip hop, music production, and digging through crates. Fans love their shows, critics love their creativity, and heads love their production. They play tours of over 70 dates to hundreds of thousands of people. They've accumulated hundreds of millions of views online. They’ve got an enormous catalogue that includes remixes for some of the biggest artists out there, and releases with the most credible labels in the game. You don’t know what they will play next but you know it might just change your life. Everybody at those early shows could tell - these guys are gonna be big." The air becomes charged and almost sexual. Everyone goes crazy.
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Nobody quite knows how to describe the music yet. When Hooks and DC start their set the earth trembles. The air smells of beer, smoke, and sweat. A crowd is lined up outside, flasks hang from their back pockets and cigarettes from their lips. Abandoned drinks rest on the lip of the dj booth while joints get sparked in the corners. The tiny room is packed. Behind the brick walls and the unfinished ceiling exposed wires hang freely.
Zeds Dead is about to play one of their first shows in the basement of a dive bar in Toronto. A whiskey voiced narrator starts speaking as the hazy images come into focus. By pulling from a vast array of source material (Radiohead, The Rolling Stones, The Moody Blues, Sublime), and molding it into their unique brand of dance-floor classics, They have established themselves as a dominant force in EDM circles and have received recognition and praise from tastemakers worldwide. Two of the hardest workers in electronic music, Zeds Dead's tireless efforts have earned them an excellent reputation amongst a new generation of producers as artists without borders - genres hold no bearing over their music as they transcend style and form with ease.
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